In a world where reality is aided by technology, nothing seems impossible to create or even recreate, thus we’re
taking a leap in designing exhibition spaces that belong in the future. We’re not speaking of exhibiting robots, but instead the most natural of all things: the wilderness, be it either the untamed seas or the unexplored rainforests.
taking a leap in designing exhibition spaces that belong in the future. We’re not speaking of exhibiting robots, but instead the most natural of all things: the wilderness, be it either the untamed seas or the unexplored rainforests.
To exhibit nature to humans, we must not enclose nature, but instead perhaps enclose ourselves, much like we
find ourselves in a safari where it is the animals that are free and roaming their habitat. But, our exhibition is
neither a safari nor a natural history museum, it is a combination of both: a natural history exhibition with the feel of a safari.
The visitors find themselves immersed in the habitat of the animal they seek to observe, while the animals
themselves, or rather their preserved remains appear to be dwelling in their habitat.
themselves, or rather their preserved remains appear to be dwelling in their habitat.
This concept is derived from the lack of vigor to some existing exhibitions in natural history museums, such as
notably the Tsavo Man Eaters in the Field Museum of Natural History in Chicago, where the taxidermy lions are
the least threatening, as the dull looking exhibit takes all that credit by itself.
Our exhibition spaces are designed to bring the animal kingdom to visitors, where the most fearsome and
formidable creatures surround them, in the flesh, but not in life, and hence we named it the Dangerous Dead.
"maritime horrors"
"land and lake"
